From the vantage point of a semi-jaded soon-to-be graduate of film school, Carl Dreyer's Vampyr embodies a film-school surrealist's...
From the vantage point of a semi-jaded soon-to-be graduate of film school, Carl Dreyer's Vampyr embodies a film-school surrealist's...
"Griffith saw that the cinema could show things that everybody knows, that everybody wants to recognise, and at the same time, not show...
Below is a complete ranking of the films I saw at the 65th Cannes Film Festival. Enjoy! 1. Holy Motors (Carax, France, In Competition) Whe...
Tomas Alfredson's Tinker, Tailor, Soldier, Spy provides visual evidence of the significant distance between the impulses of literature ...
By virtue of its tumultuous production, Werner Herzog's Fitzcarraldo has managed to give credence to the outlandish critical notion tha...
With Paris, Texas , German-born director Wim Wenders shows a knack for capturing the essence of America's heartland with more grit, hone...
Of the two loosely connected films that comprise an unintentional diptych of the American law system, Werner Herzog's My Son, My Son, Wh...
Dualities abound in Michael Haneke's latest film, The White Ribbon . The title refers to the white cloths that a Pastor (Burghart Klaußn...
If you have ever wished you could fly, see Wim Wenders' Wings of Desire on the big screen. This may mean suspending your disbelief howe...
Rudi and Trudi are both nearing a point in their lives when it becomes increasingly essential to communicate true feelings, release inhibiti...