( Disclaimer: These notes were scribbled in between screenings while waiting in line for other films. Only minor editing, for grammatical an...
( Disclaimer: These notes were scribbled in between screenings while waiting in line for other films. Only minor editing, for grammatical an...
If cinema is to survive as a democratic art form, one of its most crucial figures is the English filmmaker Peter Watkins, not because of any...
If there was any doubt of the emotional infantilism and redundancy of Andrea Arnold's new and fiercely independent update to the classic...
Barry Lyndon , despite its superficial appearance as a departure for the great director, is Stanley Kubrick's immaculate, thought-provok...
Focusing with unflinching directness on the unbreakable bond between a human being and his environment, Ben Rivers' Two Years at Sea u...
Tomas Alfredson's Tinker, Tailor, Soldier, Spy provides visual evidence of the significant distance between the impulses of literature ...
Both Greek director Giorgos Lanthimos and British director Steve McQueen have released massive international festival hits in the past few y...
Peter Watkins' Edvard Munch so thoroughly intermingles the tenets of drama, documentary, and experimental cinema that it ultimately obl...
In an essay about The Exorcist , Stephen of the blog Checking On My Sausages raises a notion he calls the "horror before the horror...
I'm a firm believer in the idea that a film inspired by literature need not transcribe its source material religiously, that it can, and...