As portraits of disaffected youth go, Maurice Pialat's L'Enfance Nue makes François Truffaut's already restrained The 4...
As portraits of disaffected youth go, Maurice Pialat's L'Enfance Nue makes François Truffaut's already restrained The 4...
(Note: Visual Spoilers ahead.) "This time they called him Andreas."
My Night at Maud's is simultaneously one of the most accessible and thorniest of Eric Rohmer's Six Moral Tales, exploring as it doe...
Wise and aloof, contemplative and so discreet that its nuances fly by without the most careful of observation, Eric Rohmer's La Collecti...
Context has such an integral, inborn relationship to narrative that when it's stripped away, as it is largely in Ingmar Bergman's Th...
Gunvor Nelson's 10-minute short My Name is Oona is an often unfairly forgotten gem of experimental cinema, cloaked to some extent by th...
The great, mysterious, and unexpectedly funny counter-cultural hero Kenneth Anger made a special appearance at the Harvard Film Archive a we...
Roman Polanski's Repulsion begins and ends on an image of its main character Carol's eye, unblinking and nearly abstracted by the c...