Avoiding cliché, hyperbole, and mumblecore posturing, Matthew Porterfield's Putty Hill gets right to the heart of its eponymous communi...

Avoiding cliché, hyperbole, and mumblecore posturing, Matthew Porterfield's Putty Hill gets right to the heart of its eponymous communi...
The traditional tenets of a Westernized concept of a nation – those of family, gender difference, and cultural identity – have been splinter...
It's pretty clear at this point where Danish director Nicholas Winding Refn's strengths and weaknesses lie: his eye for cinematic sp...
Like Mizoguchi, Ozu, and Ôshima before him, Singaporean director Glen Goei’s concerns lie in the shifting face of Asian culture, in the clas...
Scarface (1932): Paul Muni's turn as the immoral, faux-Italian, pseudo-philosophizing titular character in Howard Hawks' Scarface ...
The delicacy of human memory outweighs the unknowable depths of postmortem enlightenment in Belgian filmmaker Peter Brosens and Mongolian di...
Peter Watkins' Edvard Munch so thoroughly intermingles the tenets of drama, documentary, and experimental cinema that it ultimately obl...