"You cannot have grief tragically becoming comedy," warns Bernie Tiede (Jack Black), a plump, mustachioed mortician while giving a...

"You cannot have grief tragically becoming comedy," warns Bernie Tiede (Jack Black), a plump, mustachioed mortician while giving a...
With Lincoln , Steven Spielberg has managed to supply meaty human drama, unexpected revelations, and even suspense to a historical political...
The world of Anna Karenina as seen by Joe Wright apparently interpreting Leo Tolstoy is expressed as a large, seemingly expanding and contr...
In a year that has brought some films of the most damning levels of "self-seriousness" for some ( Cloud Atlas , Prometheus , Compl...
The Hobbit (2012): For what it's worth, I slouched into my cushioned seat with, if not quite the level of giddy excitement I sensed flo...
Surfacing after the quiet, melancholy, restrained The Last Picture Show , Peter Bogdanovich showed himself to be a true chameleon, and an es...
The slight but crucial difference in Kathryn Bigelow's directorial approach to the sensitive issues of the war on terror between 2010...
The Loneliest Planet (2011): At 42, Julia Loktev is a really brave and confident filmmaker. I know this because she banks the entire succes...
For a director who has spent the last decade toiling in the still nebulous terrain of computer generated imagery, Robert Zemeckis' retur...
Maurice Pialat's second full-length feature We Won't Grow Old Together is a devastating exploration of a slowly disintegrating roma...
If you've seen the fascinating disaster that is Cloud Atlas , you may be interested in my new review over at The Daily Notebook. This i...
The characters in Steven Soderbergh’s films are often defined by a particular moral code and the extent to which they’re willing to bend or ...