Harry Potter and The Deathly Hallows: Part 1 and 2 (2010, 2011): I can't comment on the narrative content, because having seen these fi...

Harry Potter and The Deathly Hallows: Part 1 and 2 (2010, 2011): I can't comment on the narrative content, because having seen these fi...
I've been disappointingly slow in catching up with the latter half of Woody Allen's oversaturated directorial career, which seems to...
It's not where you take things from - it's where you take them to. - Jean-Luc Godard Nothing is original. Steal from anywhere that r...
Pedro Costa's In Vanda's Room is a remarkable, all-encompassing portrait of the Fontainhas ghetto of Lisbon and the people who live...
Context has such an integral, inborn relationship to narrative that when it's stripped away, as it is largely in Ingmar Bergman's Th...
Just before Bela Tarr finally settled on the characteristic black-and-white, long-take formalism that he's become widely respected for i...
Two months ago, Ed Howard initiated The Record Club , a monthly series where bloggers gather together to discuss an album chosen by a host w...