Like Noah Baumbach's The Squid and the Whale , Josh and Benny Safdie's microbudget tale of fatherhood-gone-wrong (or right, dependin...

Like Noah Baumbach's The Squid and the Whale , Josh and Benny Safdie's microbudget tale of fatherhood-gone-wrong (or right, dependin...
In the past few weeks, a handful of critics ( Steven Shaviro , Dan Fox , Glenn Kenny , Danny Leigh , Vadim Rizov ) have begun passive-aggres...
Pedro Costa's first look at the lives of Cape Verdean immigrants in the Fontainhas slum is also his first pronounced gesture towards a k...
Remember David Lynch's vehement disapproval of all things product placement in the past? Well, given that apparent sense of outrage at ...
Critical polarization has struck me again in the face of the films of Aaron Katz. I tend to approve and disapprove of his work at the same r...
Sequels, those intolerable addendums that Hollywood regularly churns out in the sole interest of hearty financial returns, have never seen a...
I have recently been accepted as a freelance writer for Examiner.com , a national news website that caters to all sorts of special interests...
After sensitively probing the scattered fabric of Generation X with his seminal features Slacker (1991) and Dazed and Confused (1993), Ric...