Have you ever gazed at mud so long that you begin to realize an intricate beauty in it? Do you perhaps come to appreciate its consistent tex...

Have you ever gazed at mud so long that you begin to realize an intricate beauty in it? Do you perhaps come to appreciate its consistent tex...
Two years ago, Reha Erdem's film festival contribution Times and Winds , only his fourth feature film, was met with assured praise. This...
In art film, Russian director Aleksandr Sokurov is an island. Although similarly contemplative to current Asian directors like Hou Hsiao-hsi...
German-Turkish director Fatih Akin's The Edge of Heaven is one of the great films of 2007. He provides a welcome alternative to the tre...
In movies the coming-of-age genre has been formed, reformed, recycled, copied, and in the case of Noi the Albino , refreshed. In an Icelandi...
Told entirely with still photography, unorthodox French filmmaker Chris Marker's 28 minute La Jetee is a chilling evocation of a postwa...
Pierrot Le Fou , yet another one of Jean-Luc Godard's French New Wave triumphs, is nothing if not a fantastic ode to life and living. Th...
Contrary to pyschological norms, Clint Eastwood's creative instincts have arguably increased in response to aging. As a director he is m...
After viewing two Dreyer films, I'm starting to understand the necessity of his plain and formalized cinematic language. It's certai...